Now that we at Gatehouse are officially in the events business (our live events arm Gasp! is now around six months old and growing nicely) I find myself pondering more and more the role of big set piece events as part of the employee comms mix - and questioning the tactics some organisations adopt in this vitally important area.
A friend of mine has recently returned from a two day management conference. The event follows a long and extremely painful period for the organisation (and the broader industry) and was, I imagine, intended to inspire and motivate the troops and to prepare them for a new, different and hopefully more successful 2010.
Those sound like sensible objectives to me and I imagine the team behind the event explored lots of options around event content and style, before finally nailing their approach.
I bet they sat there and brainstormed lots of ideas and grilled lots of agencies in their search for an event that combined a fun team building exercise with something valuable and cathartic. Something that fused real fun with serious business. Something that would be both memorable and impactful. The holy grail.
From what I can gather they settled on some sort of music-based theme centred around an exercise that required participants to listen to some tunes as a group and use them to uncover and explore their emotions. You know the sort of thing – a bit of Mahler, Barber or maybe Girls Aloud to stimulate a discussion about your feelings relating to the past year. Cute.
Jesting aside, I do see the logic – get them to identify and verbalise their negative emotions before symbolically parking them up at the door and marching on together as one. Indeed, I’m pretty sure I used a similar rationale myself during my in house days (though times were, admittedly, a little more buoyant back then).
My own personal favourite, rather appropriately given this post, was a management conference we developed themed around the book Who Moved My Cheese? Complete with rubberised cheddar desk drops, it was certainly different and memorable but, like this one, with hindsight I’m not convinced it actually hit the mark.
Back to the recent event, the problem is that my mate and her peers – the target audience in comms speak - thought all this was cheesy beyond belief. I think Stilton may have been mentioned at once stage. The intention was clear, but the execution somehow undermined the validity of those [very real] emotions and made light of them. Own goal.
I guess the lesson here is to be very sensitive to the emotions of the audience and the context in which an event is happening. Oh, and not to get too wrapped up in searching for that funky theme or super cool hands-on exercise.
It’s all about context.
Many organisations have experienced pain in the past year and, even for those that haven’t, the fact remains that most employees have family and friends who have lost their jobs.
Before rushing to the door of your nearest ‘motivational’ events company to book the very latest musical, theatrical or art-based exercise for your people, stop to think how it will play out. If you’re not careful it could, like this one, be rather counter productive.
Big events have a powerful role to play in engaging employees, but the fact that they are high profile also means they are high risk – get it wrong and you could spend the next 12 months trying to re-establish credibility.
As a rule of thumb, treat your employees as adults and, if there’s negative stuff to surface, address it head on. You know, sometimes just talking can work wonders….
Lee, Gatehouse
PS – if you do need help with your live events and want to ensure you deliver something that really works without breaking the bank or destroying credibility, don’t hesitate to give the Gasp! team a buzz on 0207 033 8712.


Recent Comments